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“Afrotopia?”: an Afrofuturist examination of Chad Hartigan’s film Morris from America (2016)

Document Type

Article

Abstract

This essay examines the film Morris from America (2016) from an Afrofuturist vantage point. On the surface, the film is about being black in Heidelberg, Germany. Yet, upon closer examination, the film presents the “black experience” from a black American perspective and discounts the Afro-German experience and the city’s legacy of antiracist activism. Thus, this narrow vision fails to offer a nuanced portrayal of racism in Germany, and shows the limitation of the American imagination to move beyond U.S. born stereotypes of African descended people.

Publication Title

Critical Studies in Media Communication

Publication Date

8-7-2020

Volume

37

Issue

4

First Page

298

Last Page

309

ISSN

1529-5036

DOI

10.1080/15295036.2020.1820539

Keywords

Afro-Germany, afrofuturism, Antiracism, hip hop, stereotypes

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